Duke Special supported by Allie Bradley
15 Aug 2012 - 21:00
Admission £5. Pay At The Door. Strictly 1st come 1st served.
Those who know him for the platinum album “Songs from the deep forest”, including the hit song “Freewheel” and other radio mainstays like “Sweet sweet kisses” and “Last night I nearly died” may be surprised by the breadth of his work. Duke Special’s immense creative talents have seen him involved in projects as diverse as writing the theme tune for Sesame Tree (the Northern Ireland edition of Sesame Street where he also got to sing with The Muppets) to writing the music for and appearing in Deborah Warner’s critically acclaimed 2009 production of Bertolt Brecht’s Mother Courage and Her Children at London’s National Theatre. He then recorded an album of the twelve songs from the play, which was to form part of his ambitious project for 2010 – the release of a 3 CD box-set, The Stage, A Book & The Silver Screen. This box-set also included a 5-track EP called Huckleberry Finn, the first ever recording of an unfinished musical written by Kurt Weill and Maxwell Anderson based on the Mark Twain classic, and the album The Silent World of Hector Mann, featuring 12 songs based on The Book of Illusions by contemporary American author Paul Auster.
In 2011, he presented a TV documentary for RTE in Ireland on the life and times of 50s megastar Ruby Murray. This was broadcast in January, and accompanied by 2 orchestral concerts in Dublin and Cork, showcasing Duke’s interpretations of Ruby’s songs. He also released a charity single of recordings of 3 of Duke’s favourite Ruby songs, donating all the profits to the Irish charity Depaul Ireland (www.depaulireland.org).
Also that year Duke Special was commissioned by the Metropolitan Museum of Art in New York for their exhibition on the photographers Stieglitz, Steichen, and Strand. He was invited to write a series of original songs based on the photographs featured in the exhibition, which he then performed at the Museum’s concert hall (and later in London, Dublin and Belfast) to a backdrop of the photographs. The songs were released on CD as “Under the dark cloth.”
Of the new album “Oh Pioneer”, Duke says “Wooden Fingers Puppet Theatre Company, The Bank of Ideas, a banned Iranian children’s book about a fish, a pirate who wants to retire, a bar man who hears people’s stories whether he likes it or not, the human condition and late night conversations with friends on the roof of the ‘Oh Yeah’ building in Belfast about your dreams are just a few of the ingredients to go into “Oh Pioneer”.”
2011 was a great year for singer-songwriter Allie Bradley, which saw the release of two eps entitled ‘Sincerity’… and ‘Flashbacks and Reruns’ receiving praise from BBC Introducing and local daytime radio.
Having played the Irish festival circuit, completing a UK and Irish tour including an invitation to play at London’s 02 arena and music video ‘Sincerity’ being nominated for Best Female at the Irish Music and Television Awards, Allie well and truly made her stamp on the Northern Ireland music scene.
2012 is set to be bigger and better with an Irish and UK tour being set in the works, as well as a new EP featuring collaborations from Northern Irish musicians Jamie Neish, Mark McAllister (PrettyChild Backfire), Aaron Shanley, Mark Graham and Nashville based artist Kiernan McMullan.
“Allies second EP is a wonderful collection of folk-pop goodness. ‘Bad’ is a great song that has taken Allie high up in our expectations – she has really outdone herself with this release and we have had this on repeat all day.”
“Allie opens proceedings with her mellow brand of acoustic pop. The highlight of the set is the KT Tunstall-esque Mistakes, a catchy, attitude laden track that couldn’t be any more radio friendly if it tried.”
“Allie Bradley is a bit more traditional in set-up, just her and her guitar, but the material is less so, coming across more like stripped interpretations of potential pop gems. One Way and Mistakes could easily be taken into the studio and polished into hits for any identikit girl group, such is their strength. The rough diamond though is Elliot, with an almost Motown soul rhythm hidden in there. I don’t know if they exist, but the full studio versions of these could be a real treat.”
Across the Line, William Johnston